Studio tour
Introduction

Studio Entrance


In the Studio 1


In the Studio 2


In the Studio 3
Erotic Art Pictures

Introduction Dominance and Submission Erotic Ladies

2008 Collection

2007 Collection

2006 Collection

2005 Collection Unique: All prints are hand finished.

The Ones You Missed
This collection of pictures have been painted as private commissions and are not for retail, but it has been agreed .......
View now Please note similar pictures can be painted on request.
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Artist Introduction and Studio tour

Artist Richard Savage born in the north of England in 1962. I am a figurative artist striving to make my art challenging and thought provoking. You will find my work is as diverse as human nature itself aiming to capture a celebration of life in all its wonderful shades. I work from my Cambridgeshire studio, which is open to the public by arrangement.

I work mainly in acrylics also happy working in oils, pastels, line and wash, watercolour and mixed media. I draw my inspiration from classical art, admiring styles of Rafael, Rembrandt and the contemporary artist Boris Vallejo.

Current projects are concentrating on life like figurative art. I never shy away from provocative topics that include: fetish, gothic, gay, lesbian, fantasy. I like my work to have a sexy feel to it, but hope people see beyond the titillation to the real erotic underlying sensuality. .... moore

Internet: I sell my work mainly over the Internet to my home market in the UK. I quickly discovered a globally appreciative audience now a high percentage of work is going to the United States.


This page invites you to a quick a quick tour of my Cambridgeshire studio.
Click one of the tour links in either the left or right column.

Reading can be tedious hence text is kept this to a minimum

so please enjoy the pictures


Back to Introduction



Painted in 2004. Greets you on entrance to the studio

In the studio 1

A look around the studio

A look around the studio

A look around the studio

A look around the studio

A look around the studio

A look around the studio
Inspiration.
Well it comes from all over the place, see a cosmetics poster, see a girl in the street, see an image in the most obscure palace and you have the spark of an idea. A chunk of the work comes from publishers, who give me a brief; I try to capture the image they are looking for. I do get suggestions from clients who have bought from be in the past and take any ideas seriously. When it comes to erotic art, I feel a lot of people have it wrong, it is not what you can see that makes something erotic it is what you can’t see, or hope you can see. Just a glimpse of panties is erotic, yet a picture revealing all is not, or might not be. And one should never take for granted, the allure of the forbidden or the naughty. It is how the picture feels, that makes it erotic. I am constantly on the look out for new images and new models
Artist at home in his studio.

The artist hates having his photo taken so this was a chore!

Photo shoot

 

The actual pictures

Once I have the concept, i.e. two girls kissing or girl in the office, or whatever I look for sauce materials from my library, if nothing is forthcoming, I ask a Model to pose and get the picture that way. I like to keep my work life like unless the client wants something different. The planning takes a while I like my scenes nicely light. Also something that was commented on, at a resent exhibition, I was asked the question why most of my pictures don’t have the subject or subjects looking at the viewer. I have always liked the idea that if you have two people sharing an intimate moment, they should be interested in each other not the viewer. In addition, there is a voyeuristic element to the pictures, seeing something you perhaps should not see.

Technique

I will keep this short for non painter will be a bit board with this, I usually paint on 300 – 450 gram paper with quite a rough texture, I also paint on canvas these days too. I use acrylics mainly, but I am happy to work in oils, inks, watercolour, whatever the client wants. I use a technique of many thin lairs of wash and dry brush for fine details. Any artist who paints from life will tell you realistic skin tones are a challenge. And advice to students is, practice, practice, practice. I was ones asked “why can’t I paint like that” my reply is you probably could if you spent more time painting. It is not Magic, it requires hard work. There is the element of gift, but the most gifted needs to work on technique.

I hope you will enjoy the pictures you find on this site.

Studio tour
Introduction continued

In the studio 4


In the Studio 5


In the Studio 6


In the Studio 7
Exhibitions

Washington DC

Exhibitions


Forthcoming events.

Online Catalogue

Catalogue Ladies D and S Paintings Printing Service Gift Certificates

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